Titled 'Jurrasic Pierre', the AW18 collection of Le Studio Pierre pays a tribute to childhood during the the 70’s with an humoristic twist inspired by the Jurassic times.
Colour palette emulates the blazing tonalities of volcanic eruptions
whilst boys scout’s scarfs with dinosaur prints were tied on the coat as a belt,
Cuts are oversized, fabrics crips cottons, shiny leather and vinyls.
Borrowing the eyes of their childhood, Le Studio Pierre exalts freedom through the bridge between womenswear & menswear.
The garments echo one another and the details are interchangeable. The gender asserts itself, while the codes disappear, taking its source from the designers relation, Le Studio Pierre celebrates love.
Photography by Emma Descraques
reporting on men's fashion and grooming
26 March 2018
27 January 2018
Louis Gabriel Nouchi AW18 Collection at Men's Paris Fashion Week
Louis Gabriel Nouchi takes a contemporary take on cut and silhouette
Loose knitted sleeves cover jackets and coats' own sleeves.
Seams on tops are partially unstiched
Colour palette is neutral shades of grey, black and white colour pops of red
Photography by Emilie Gomez
Loose knitted sleeves cover jackets and coats' own sleeves.
Seams on tops are partially unstiched
Colour palette is neutral shades of grey, black and white colour pops of red
Photography by Emilie Gomez
Marosbaran AW18 Collection at Men's Paris Fashion Week
Titled 'The Imperial Phase', the Slovakian fashion designer and artist's AW18 collections focuses on menswear and definition of the paradox
The paradox of using feminine fabrics on masculine clothing such as floral lace on a bomber jacket and hoodie
the delicate plisse pleat in pale yellow on shorts and a hoodie, and winter white on collarless shirts
and the diaphanous tulle in bright red and turquoise
Metallics give a soft sheen to boxer hoodies like molten liquid.
Prints include a bold floral print on coats and short suits, a more subtle paisley jacquard on shorts, trousers and long waistcoat and comic style hero print on leggings.
Edges are frayed on shorts and knitwear
The paradox of using feminine fabrics on masculine clothing such as floral lace on a bomber jacket and hoodie
the delicate plisse pleat in pale yellow on shorts and a hoodie, and winter white on collarless shirts
and the diaphanous tulle in bright red and turquoise
Metallics give a soft sheen to boxer hoodies like molten liquid.
Prints include a bold floral print on coats and short suits, a more subtle paisley jacquard on shorts, trousers and long waistcoat and comic style hero print on leggings.
Edges are frayed on shorts and knitwear
Ernest W. Baker AW18 Collection at Men's Paris Fashion Week
The founder's Grandfather , Ernest W. Baker, and early Detroit ad man, serves as a muse for the brand's identity.
Studying his personal journals from the 70's & 80's were the starting point for the Autumn Winter 18 collection.
A precise consideration for colors and feelings are referenced as an intention is made to create garments that feel as if they were taken from Ernest's closet.
Shades of brown leather, tonal checks and handmade sweaters in a chunky mustard yellow are used in reference to a palette of the 70's,
while the injection of color in purple velvet give a more optimistic feeling of the 80's.
The aesthetic is then taken forward, drawing from the perspective of David Lynch. Inspired from the surrealistic world developed in his "Twin Peaks" series, a link is established between classic European dress and a western American spirit.
Long, oversized coating is an important aspect in the collection, creating a sense of mysteriousness.
John Wayne hats, tuxedo shirts and classic check patterns are a nod to an Americana style,
while the structured blazers, ascots and velvet tailoring are inspired from a classic European elegance.
Although the looks present a pure rigidity, there is a sense of irony in each of them, with an intention to convert the model into an Ernest character playing in the Twin Peaks series.
Studying his personal journals from the 70's & 80's were the starting point for the Autumn Winter 18 collection.
A precise consideration for colors and feelings are referenced as an intention is made to create garments that feel as if they were taken from Ernest's closet.
Shades of brown leather, tonal checks and handmade sweaters in a chunky mustard yellow are used in reference to a palette of the 70's,
while the injection of color in purple velvet give a more optimistic feeling of the 80's.
The aesthetic is then taken forward, drawing from the perspective of David Lynch. Inspired from the surrealistic world developed in his "Twin Peaks" series, a link is established between classic European dress and a western American spirit.
Long, oversized coating is an important aspect in the collection, creating a sense of mysteriousness.
John Wayne hats, tuxedo shirts and classic check patterns are a nod to an Americana style,
while the structured blazers, ascots and velvet tailoring are inspired from a classic European elegance.
Although the looks present a pure rigidity, there is a sense of irony in each of them, with an intention to convert the model into an Ernest character playing in the Twin Peaks series.
Arthur Avellano AW18 Collection at Men's Paris Fashion Week
Titled 'Le Banquet'. Arthur Avellano brings a feast of an AW18 collection.
Avellano mainly works with latex and leathers to create his collections and AW18 did not disappoint.
A practical fabric for outerwear, latex brings an edge to the classic trenchcoat ,
Puffer jackets ..
Trousers are either designed as practical straight latex jeans
or ostentatiously voluminous whilst skimming the floor.
Avellano mainly works with latex and leathers to create his collections and AW18 did not disappoint.
A practical fabric for outerwear, latex brings an edge to the classic trenchcoat ,
Puffer jackets ..
.
and the bomber jacketTrousers are either designed as practical straight latex jeans
or ostentatiously voluminous whilst skimming the floor.
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